Mp3 music: Terje Rypdal

Artist: Terje Rypdal: mp3 download    Genre(s):  Jazz New Age Other     Terje Rypdal's discography:      Double Concerto CD1    Year: 2000    Tracks: 4      Double Concerto - 5th Symphony    Year: 2000    Tracks: 8      5th Symphony CD2    Year: 2000    Tracks: 4      Skywards    Year: 1997    Tracks: 7      If Mountains Could Sing    Year: 1995    Tracks: 11      Q.E.D. Largo    Year: 1993    Tracks: 6      Undisonus - Ineo    Year: 1990    Tracks: 2      Singles Collection    Year: 1989    Tracks: 10      Blue    Year: 1987    Tracks: 8      Chaser    Year: 1985    Tracks: 8      To Be Continued    Year: 1981    Tracks: 7      Descendre    Year: 1980    Tracks: 6      Waves    Year: 1978    Tracks: 6      After The Rain    Year: 1976    Tracks: 10      Odyssey    Year: 1975    Tracks: 7      Whenever I Seem To Be    Year: 1974    Tracks: 3      What Comes After    Year: 1974    Tracks: 6      Terje Rypdal    Year: 1971    Tracks: 5      Bleak House    Year: 1968    Tracks: 6 Terje Rypdal has long had an unusual manner, mixture unitedly elements more than usually launch in new long time and sway than in jazz; yet he is besides an adventuresome improviser. Associated with the ECM label since the other '70s, Rypdal's performing is emphatically an acquired admiration, victimization office and thick sounds in an unusual mode. Classically trained as a piano player, Rypdal was largely self-taught on guitar and in the beginning to the highest level influenced by Jimi Hendrix. He tended to Oslo University, where he was taught the Lydian chromatic construct of tonal establishment by its author, George Russell. Rypdal played with Russell for a time and started an association with Jan Garbarek in the late '60s. He formed the group Odyssey in 1972, and has light-emitting rectifying tube diverse little groups since the mid-'70s. An important guitarist and composer in Norway, Terje Rypdal gained a religious cult following in the United States. He recorded steadily for ECM since 1972 (exploitation such sidemen at times as Garbarek, pianist Bobo Stenson, trumpeter Palle Mikkelborg, bassist Miroslav Vitous, drummer Jack DeJohnette, and cellist David Darling). His iI before roger Sessions (for the Karusell label in 1968, and a famous 1969 Baden-Baden, Germany, concert assign out by MPS) are more difficult to find.

Download Waterboys mp3

Artist: Waterboys: mp3 download    Genre(s):  Indie     Discography:      The Best of the Waterboys 1981-1990    Year: 1991    Tracks: 12 Led by the literate singer/songwriter Mike Scott, the group's fillet of sole invariant phallus, the mercurial Waterboys formed in London in 1981. Born December 14, 1958, in Edinburgh, Scotland, Scott first became involved in medicine as the creator of the fanzine Jungleland and afterward played in a series of local punk rock'n'roll outfits. After college, where he studied English and school of thought, Scott and his lot, Another Pretty Face, touched to London; side by side the group's dissolution, he formed the Waterboys, so named subsequently a line of work in the Lou Reed song "The Kids" only totally suppress given Scott's revenant lyrical fascination with sea imagery. A newspaper advertizing career for musicians light-emitting diode to a answer from multi-instrumentalist Anthony Thistlethwaite; on with drummer Kevin Wilkinson, the Waterboys issued their self-titled debut in 1983. Keyboardist Karl Wallinger and trumpeter Roddy Lorimer coupled for the 1984 follow-up, A Pagan Place, which expanded the group's rich, dramatic sound spell further exploring Scott's stake in church property. With 1985's This Is the Sea, the Waterboys reached an early extremum; a imperial, challenging criminal record, it earned the radical a significant strike with the single "The Whole of the Moon." However, afterwards the album's tone ending, Wallinger deceased to pattern World Party, which prompted Scott and Thistlethwaite to relocate to Ireland and begin with a clean ticket. When the Waterboys returned in 1988 with the acclaimed Fisherman's Blues, they were coupled by traditional Irish players wish violinist Steve Wickham, drummer Dave Ruffy, keyboardist Guy Chambers, and bassist Marco Weissman, resulting in a stripped-down, folky sound that was continued on 1990's Elbow room to Roam. In 1991, Scott touched to New York without Thistlethwaite or any other bandmembers; the tone ending of 1993's Dream Harder, cut with session musicians, marked a return to an electric, more rock-oriented levelheaded. Soon Scott moved back to Scotland, where he began a lengthy detain at a spiritual commune; there he recorded the folk-tinged Bring 'Em All In under his have nominate, evidently putt the Waterboys to reside for full. On July 17, 1999, drummer Kevin Wilkinson committed self-destruction in his countryside home in Swindon, Wiltshire, England, just prior to squirting off on an American go with Howard Jones. Wilkinson, world Health Organization had too worked with Squeeze, China Crisis, Bonnie Raitt, and the Proclaimers, was a appendage of the Waterboys since their 1983 self-titled endeavor. Full fortune was in the wings, for Mike Scott resurrected the Waterboys name in 2000. Rock in the Weary Land marked the band's first release in seven-spot eld. Thistlethwaite and Wickham would return to the radical, and tours across the world would raise successful. Fisherman's Blues, Pt. 2, an album featuring antecedently unavailable substantive from the Fisherman's Blues roger Sessions, appeared in summer 2002. Scott returned to the studio apartment for 2003's Universal Hall, followed by Book of Lightning in 2007.

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Beastie Man

   
Artist: Beastie Man

   Genre(s): 
Drum & Bass
   

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Discography:


   
 Check It Out Dude MU01 Vinyl

   Year: 2004   
Tracks: 1

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As the start flannel whack group of whatever importance, the Beastie Boys received the contempt of critics and raucous hip-hop musicians, wHO accused them of cultural pirating, especially since they began as a hard-core punk stone group in 1981. But the Beasties weren't pirating -- they toughened exploit as voice of a post-punk musical metro, where the do-it-yourself aesthetics of rap and punk rock weren't that far apart. Of course, the hypertrophied b-boy and frat-boy parodies of their unexpected score debut record album, Accredited to Ill, didn't facilitate their cause. For much of the mid-'80s, the Beastie Boys were considered as macho clowns, and spell out their ambitious, Dust Brothers-produced moment album, Paul's Boutique, pink-slipped that theory, it was unheeded by both the populace and the press at the time. In retrospect, it was unmatchable of the first base albums to foreshadow the genre-bending, self-referential come out kaleidoscope of '90s pop. The Beasties elegant their eclectic glide path with 1992's Stop Your Head, where they played their possess instruments. Check Your Head brought the Beasties back to the top of the inning of the charts, and inside a few long time, they were considered one of the to the highest degree influential and challenging groups of the '90s, cultivating a musical community not only through their music, just with their record tag, Grand Royal, and their magazine of the same nominate.


It was remarkable turn of events for a grouping that demonstrated no important musical talent on their first-class honours degree records. All trey members of the Beastie Boys -- Mike D (natural Mike Diamond, November 20, 1966), MCA (natural Adam Yauch, August 5, 1965), and Ad-Rock (natural Adam Horovitz, October 31, 1967) -- came from wealthy bourgeoisie Jewish families in New York and had become mired in the city's goon subway when they were teenagers in the early '80s. Diamond and Yauch formed the Beastie Boys with drummer Kate Schellenbach and guitarist John Berry in 1981, and the group began performing metro clubs around New York. The following year, the Beasties released the 7" EP Tadpole Stew on the indie Rat Cage to little attention. That year, the dance band met Horovitz, world Health Organization had formed the hard-core grouping the Young and the Useless. By early 1983, Schellenbach and Berry had left field the mathematical group -- they would subsequently join Luscious Jackson and Thwig, respectively -- and Horovitz had coupled the Beasties. The revamped group released the rap phonograph record "Cookie Puss" as a 12" unmarried later in 1983. Based on a antic phone call the grouping made to Carvel Ice Cream, the unmarried became an underground hit in New York. By early 1984, however, they had abandoned punk and off their attending to hip-hop.


In 1984, the Beasties coupled forces with producer Rick Rubin, a heavy metal and rap fan wHO had latterly founded Def Jam Records with mate New York University scholar Russell Simmons. Def Jam formally sign-language the Beastie Boys in 1985, and that year they had a hit individual from the soundtrack to Krush Groove with "She's on It," a rap track that sampled AC/DC's "Back in Black" and suggested the approach path of the group's forthcoming debut album. The Beasties standard their first-class honours degree important national exposure afterward in 1985, when they open for Madonna on her Virgin Tour. The three taunted the audience with profanity and were loosely unwell received. One other major circuit, as the openers for Run-D.M.C.'s ill-fated Raisin' Hell trek, followed before Licenced to Ill was released late in 1986. An amalgam of street beats, metal riffs, b-boy jokes, and irony, Commissioned to Ill was interpreted as a senseless, obnoxious party record by many critics and conservative action groups, simply that didn't diaphragm the album from becoming the fastest-selling debut in Columbia Records' history, moving over 750,000 copies in its starting time six weeks. Much of that success was due to the single "Fight for Your Right (To Party)," which became a massive crossover success. In fact, Commissioned to Ill became the biggest-selling rap record album of the '80s, which generated practically literary criticism from sure hip-hop fans world Health Organization believed that the Beasties were simply cultural pirates. On the other side of the coin, the mathematical group was being attacked from the right-hand, world Health Organization claimed their lyrics were crimson and male chauvinist and that their concerts -- which featured distaff audience members dance in go-go cages and a giant star inflatable penis, similar to what the Stones exploited in their mid-'70s concerts -- caused regular more than outrage. Throughout their 1987 tour, they were plagued with arrests and lawsuits, and were accused of inciting offense.


Piece much of the Beasties' hyperbolically obnoxious doings started verboten as a joke, it became a self-parody by the end of 1987, so it wasn't a surprise that the grouping distinct to revamp their sound and image during the next deuce days. During 1988, they became involved in a bitter lawsuit with Def Jam and Rick Rubin, world Health Organization claimed he was responsible for for the group's success and threatened to tone ending outtakes as their second album. The group ultimately broke away by the ending of the year and relocated to California, where they signed with Capitol Records. While in California, they met the production squad the Dust Brothers, and they convinced the span to use their prospective debut record album as the basis for the Beasties' second record album, Paul's Boutique. Densely layered with interweaving samples and down culture references, the retro-funk-psychedelia of Paul's Boutique was entirely different than Licenced to Ill, and many observers weren't rather sure what to make of it. Several publications gave it rant reviews, merely when it failed to bring on a single larger than the number 36 "Hey Ladies," it was promptly forgotten about.


Disdain its poor commercial performance, Paul's Boutique gained a cult undermentioned, and its cut-and-paste sample techniques would later be hailed as visionary, peculiarly after the Dust Brothers altered the coming for Beck's acclaimed 1996 album, Odelay. Still, the record was declared a disaster in the other '90s, but that didn't foreclose the Beasties from building their possess studio and foundation their own record label, Grand Royal, for their adjacent record, Check Your Head. Alternating between old school hip-hop, raw amateur blue funk, and hard-core punk, Check Your Head was a less completed than Paul's Boutique, so far it was barely as diverse. Furthermore, the burgeoning cult or so the Beasties made the record album a surprise Top 10 hit upon its springiness 1992 release. "Jemmy James," "Pass the Mic," and "So Whatcha Want" were bigger hits on college and alternative john Rock wireless than they were on rap radiocommunication, and the grouping on the spur of the moment became coxa over again. Early in 1994, they collected their early punk recordings on the digest Some Old Bullshit, which was followed in June by their fourth record album, Ill Communication. Essentially an wing of Check off Your Head, the record debuted at turn one upon its release, and the singles "Sabotage" and "Certain Shot" helped air it to double-platinum position. During the summertime of 1994, they co-headlined the quartern Lollapalooza fete with the Smashing Pumpkins. That like year, Grand Royal became a fully fledged record label as it released Luscious Jackson's acclaimed debut record album, Natural Ingredients. The Beasties' Grand Royal magazine was likewise launched that year.


Over the adjacent few days, the Beasties remained quiet as they concentrated on political causes and their record label. In 1996, they released the hard-core EP Aglio e Olio and the instrumental soul-jazz and funk compendium The in Sound from Way Out! Also that year, Adam Yauch organized a two-day festival to elevate knowingness and money about Tibet's plight against the Chinese government; the festival went on to turn an annual event. The Beastie Boys' long-awaited one-fifth LP, How-do-you-do Nasty, finally appeared during the summer of 1998, and became their third calling chart-topper. A longer expect preceded tone ending of their succeeding record album, To the 5 Boroughs, which appeared in mid-2004. In 2005, Capitol issued Solid Gold Hits, a 15-track survey of the Beasties' prolonged calling. In 2006, the band released stagily the concert celluloid Amazing: I Fuckin' Shot That! The film was pieced together from footage gibe by 50 DV and Hi-8 cameras that were distributed to fans with minuscule more direction than to keep shooting. The DVD variant appeared in July of that year. In 2007 they released the all-instrumental album The Mix Up.





Verne Troyer: Shaken and Stirred

DJ Virus and Blutonium boy

   
Artist: DJ Virus and Blutonium boy

   Genre(s): 
Other
   

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Discography:


   
 Blutonium 068

   Year: 2003   
Tracks: 2

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MyGrain

   
Artist: MyGrain

   Genre(s): 
Metal
   

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Discography:


   
 Orbit Dance

   Year: 2006   
Tracks: 11

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"Idol" slide continues after judge mix-up

‘The Love Guru’ So Bad, Even Harry Knowles Hates It

Photo: Getty Images
With The Love Guru sporting a Shyamalanian Metascore of 24 and an even more dismal 11 percent on Rotten Tomatoes ("A Cinematic Bed of Nails!" exclaims one headline), many have long since concluded that Mike Myers's ashram-based comedy is every bit as terrible as it looked from the trailer. Still, we thought, just because the critics are unanimous doesn't mean they're right.



But then, this morning, Ain't It Cool News' Harry Knowles weighed in: "The Love Guru is astonishingly rancid." Not just rancid — rancid in a way that is astonishing. Recently, Knowles declared Speed Racer "the single greatest trip" since the final sequence in Kubrick's 2001: A Space Odyssey. He absolutely
loved Rambo. His taste in comedy has been broad enough to embrace Semi-Pro, The Flintstones in Viva Rock Vegas, and Beerfest ("easily the funniest film I've seen this year"). And even Harry says, in The Love Guru, Mike Myers "puts a shotgun in the mouth of comedy and kills it," so we're starting to think it might be kind of bad. —Linda Holmes

Harry says, 'If Shit Got THE LOVE GURU On It, Shit Would Wipe It Off!' [Ain't It Cool News]

Desperate Housewives - Housewives Audience Slow To Return

ABC's Desperate Housewives
may have continued to dominate the ratings Sunday night, capturing 15.4 million viewers,
but the number remained well below that of a couple of years ago when the program
regularly captured more than 20 million. But then, ratings for other top network
programs Sunday also showed the continuing ratings erosion since the writers' strike.
(Sunday's New York Times reported that the television networks have seen six
million viewers disappear since the 2007 May sweeps.) Bucking the trend on Sunday
was ABC's Brothers & Sisters, which drew 11.02 million viewers to a season-finale
episode following Housewives in which two gay characters were married.

12/05/2008

See Also

• My Chemical Romance to release new CD
• Victoria Beckham left “quivering” when she met Julia Roberts
• Victoria Beckham denies pregnancy rumors